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Maybe Season Eight should wrap up all remaining storylines with the little originality they have left. I haven't watched 'Supergirl' or 'Green Arrow', so I can't be sure, but it seems like 'The Flash' in particular is the Hallmark cards of the world of comic-book adaptations. Do I sound like I'm making a joke? The show does that a lot: fighting villains with hopeful platitudes rather than strategy. The Speed Force is powerful and does seek to commit murder, but who cares? Her motives are ephemeral and only require an epiphany on the company of others to stop her. This is followed by the Speed Force combating three new meta-humans whose destinies are interlocked with hers.

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A look at the personal and professional lives of the judges, lawyers, clerks, bailiffs and cops who work at an L.A. Eva McCulloch returns as the Mirror Monarch, but is more smug than evil. With Simone Missick, Wilson Bethel, Jessica Camacho, J. Like 'Gotham', this season is divided into multiple sections in which a central villain or conflict is present. Even if his children are killed, Barry just has to live to be a father so he can make the same children over again. When Barry's kids travel from the future, Barry stops them from fighting Godspeed in fear of their safety, intending to fight him alone, except-hello! If Barry gets killed, so do his children. He was reduced to 'evil-neurons scattered along the universe' or whatever the hell they said he was, then was reformed into a human again so that he and Barry can defeat the antagonist Godspeed. No one will ever be able to tell me, I think, how Reverse-Flash (Tom Cavanaugh) is still alive, when his ancestors were killed before they could produce him. What is the ultimate point, I wonder, in watching 'The Flash'? What is it meant to deliver? The obvious answer is thrills and spectacle, but how can one be thrilled or awed when the plot constantly undermines itself? Why does it set up storylines (Cisco leaving Team Flash, Barry not allowing his children to fight) then reverse them so it's like they never happened? Of course, this is not so different from earlier seasons maudlin emotions and stale melodrama propel sappy emotional storylines only so they can reach a predictable uplifting conclusions.